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English Standard

Stage 6 · HSC questions by topic

About this subject

English Standard

Atlas organises human-reviewed questions against the NSW Stage 6 English Standardsyllabus. Every published question retains its exam source and page.

Syllabus: NESA Stage 6 (2017)
Explore the NESA Stage 6 (2017) syllabus topics

Common Module: Texts and Human Experiences

  • Texts and Human Experiences

Module A: Language, Identity and Culture

  • Language, Identity and Culture

Module B: Close Study of Literature

  • Close Study of Literature

Module C: The Craft of Writing

  • The Craft of Writing
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3 questions found

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2025HSC
Q1

How does your prescribed text reveal the benefits and challenges of belonging to specific cultures?

In your response, make close reference to your prescribed text.

20 marks
Extended response
2025HSC
Q2

Text 2 — Magazine article extract
How does Fidge explore the impact of role models in her childhood?

Text 2 — Magazine article extract
An ode[1] to our childhood idols Where I grew up . . . there was a channel desperate to see strong women – or more dedicated to shows for kids – YTV. It was accurately, just women doing anything the go-to station for me and my older sister remotely interesting. The “token female in the early 1990s and we’d always watch our character in a swarm of men” schtick[3] favourite show: She-Ra . . . the eight-foot-tall is still very much around in entertainment; cartoon superhero with long blonde hair and and back then it felt like every woman was a flying unicorn sidekick. She-Ra was made a princess . . . helpless, wearing pink frills and for me and my sister – freakishly blonde desperate to be saved. She-Ra didn’t need kids with unicorn obsessions. And I mean saving; she had a freaking sword! that kinda literally: her character came about in 1985 as a long-lost sister to an existing There wasn’t much she couldn’t do, and if superhero, He-Man, to appeal to young there was, she’d recruit her hero brother, girls. Cynical cash grab? Sure. But for a her sidekick Swift Wind (the unicorn) and preschool-aged little me, it was revolutionary whichever kindly character happened to be seeing a powerful woman get to do all the in the episode at that time. A team of goodies cool stuff reserved for guys, like use swords fighting the forces of evil – a childhood and have a personality. classic for a reason . . . She was the first superhero I remember Tragedy struck when the youth channel airing learning about and her transformation from the show underwent scheduling changes and human Adora into hero She-Ra was the best those crazy bigwigs decided to take She-Ra off part of the show. She’d raise her mighty sword the air. This was devastating. My mother . . . in the air, cry “for the honour of Grayskull, encouraged us to speak truth to power in I am She-Ra” and KABLAMMO! . . . she the only way children in the early ’90s was in superhero mode, ready to fight bad could: we hand-wrote letters to the station guys and talk to animals and SAVE THE to express our disappointment. My sister’s KINGDOM. Or something. I don’t really letter was articulate and polite, arguing for remember much of She-Ra’s lore[2], to be the importance of female role models on TV. honest. But her impact was monumental in Mine was more direct: “Put back She-Ra. my household. Do it . . . NOW!! ” They didn’t change their decision, but another lesson She-Ra taught My sister and I were, like many girls in me was that sometimes the good guys don’t the ’90s (and before then), unconsciously always win. DEIRDRE FIDGE HOLDING OUT FOR A HERO An excerpt from magazine article HOLDING OUT FOR A HERO © Frankie Press [1] ode tribute [2] lore a body of tradition or knowledge [3] schtick stereotype





5 marks
Short answer
2025HSC
Q4

Text 4 — Prose fiction extract
How does Ferrante portray the ways that family relationships shape identity?

Text 4 — Prose fiction extract
We traveled through Naples in the green Fiat 500, going first to Cavone,[1] where Aunt Anna lived, then to the Campi Flegrei, where Uncle Nicola lived, then to Pozzuoli, to Aunt Rosetta. I realized that I barely remembered these relatives, maybe I had never actually known their names. I tried to hide it, but Vittoria noticed and immediately started saying mean things about my father, who had deprived me of the affection of people certainly without education, not smooth talkers, but warmhearted. How important to her the heart was . . . which she struck with her broad hand and gnarled fingers. It was in those situations that she began to suggest to me: look at what we’re like and what your father and mother are like, then tell me. She insisted forcefully on that matter of looking. She said I had blinders[2] like a horse, I looked but didn’t see the things that could disturb me. Look, look, look, she hammered into me. In fact, I let nothing escape me. Those relatives, their children a little older than me or my age, were a pleasant novelty. Vittoria flung me into their houses without warning, and yet aunts and uncles, nieces and nephews welcomed me with great familiarity, as if they knew me well and had been simply waiting, over the years, for my visit. The apartments were small, drab, furnished with objects that I had been brought up to judge crude if not vulgar. No books, only at Aunt Anna’s house did I see some mysteries. They all spoke to me in a cordial[3] dialect mixed with Italian, and I made an effort to do the same, or at least I made room in my hypercorrect Italian for some Neapolitan cadences.[4] No one mentioned my father, no one asked how he was, no one charged me with saying hello to him . . . but they tried in every way to make me understand that they weren’t angry with me. They called me Giannina, as Vittoria did and as my parents never had. I loved them all, I had never felt so open to affection. And I was so relaxed and funny that I began to think that that name assigned to me by Vittoria – Giannina – had miraculously brought forth from my same body another person, more pleasant or anyway different from the Giovanna by which I was known to my parents.

ELENA FERRANTE The Lying Life of Adults © Europa Editions
[1] Cavone, Campi Flegrei, Italian place names Pozzuoli
[2] blinders covers that restrict side vision
[3] cordial friendly
[4] Neapolitan cadences rhythms of speech in Naples, Italy

4 marks
Short answer