Q5 (a)
Question
Touch is not only through the fingers, but through the whole body, too.
Each one of these netsuke for Anna is a resistance to the sapping of memory. Each one carried out is a resistance against the news, a story recalled, a future held on to. Here that Viennese cult of Gemütlichkeit – the easy tears over sentimental stories, the wrapping of everything in pastry and cream, those candied pictures of servant girls and their beaux – meets a place of adamantine hardness. I think of Herr Brockhaus and his imprecations against the carelessness of servants, and I think of how wrong he was.
There is no sentimentality, no nostalgia. It is something much harder, literally harder. It is a kind of trust.
From The Hare with Amber Eyes by Edmund de Waal published by Chatto & Windus Copyright © Edmund de Waal 2010. Reproduced by permission of The Random House Group Ltd
In what ways does this excerpt reflect the concerns and aesthetic qualities of de Waal’s nonfiction?
In your response, make close reference to the excerpt and to your prescribed text.
Syllabus alignment
- Critical Study of LiteratureDevelop and support an informed personal interpretation through close analysis of a substantial literary text.